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- <h2 class="hilight">Common and recommended switches</h2>
- </div>
- <h3>Common settings</h3>
- <pre>
- % lame <span class="hilight">[options]</span> inputfile [outputfile]
- </pre>
- <ul>
- <li><strong>Constant Bitrate</strong>: <span class="hilight">-b number</span> or
- <span class="hilight">--preset cbr number</span> Valid values
- for the -b settings depend on the sampling rate<a href="#note1"><sup>1</sup></a>.
- <pre>lame -b 128 sample.wav sample.mp3</pre>
- </li>
- <li><strong>Variable Bitrate (<a href="abr.html">ABR</a> mode)</strong>:
- <span class="hilight">--abr number</span> or <span class="hilight">--preset number</span>
- Valid values for the --abr setting range from 8 to 320.
- <pre>lame --abr 128 sample.wav sample.mp3</pre>
- </li>
- <li><strong>Variable Bitrate (<a href="vbr.html">VBR</a> mode)</strong>:
- <span class="hilight">-V number</span> Valid values
- are from 0 to 9, with decimal values possible, where 0 is the highest quality
- while 9.999 is the lowest one.
- <pre>lame -V2 sample.wav sample.mp3</pre>
- </li>
- </ul>
- <h3>Hydrogenaudio recommended settings</h3>
- <ul>
- <strong>Very high quality</strong>, HiFi, home, or quiet listening, with best file size<a href="#note2"></a> :
- <span class="hilight">-V0</span> (avg. 245 kbps) or <span class="hilight">-V1</span>
- (avg. 225 kbps) or <span class="hilight">-V2</span> (avg. 190 kbps) or <span class="hilight">-V3</span> (avg. 175 kbps).
- <p>VBR settings will normally produce transparent results.
- Audible differences between these presets may exist, but are rare.
- </p>
- </li>
- <li>
- <strong>Very high quality</strong>, HiFi, home, or quiet listening, with maximum file size<a href="#note2"><sup>2</sup></a> :
- <span class="hilight">-b 320</span>
- <p>This CBR mode will maximize the MP3's bitrate and overall file
- size. The extra space may allow for some parts of the audio to be
- compressed with fewer sacrifices, but to date, no one has produced
- ABX test results demonstrating that perceived quality is ever better
- than the highest VBR profiles described above.
- </p>
- </li>
- <li><strong>Portable</strong>, listening in noisy conditions, lower bitrate, smaller file size:
- <span class="hilight">-V4</span> (avg. 160 kbps) or <span class="hilight">-V5</span>
- (avg. 130 kbps) or <span class="hilight"> -V6</span> (avg. 115 kbps)
- <p>
- -V6 produces an "acceptable" quality, while -V4 should be close to perceptual transparency.
- </p>
- </li>
- <li><strong>Very low bitrate, small sizes</strong>, eg. for voice, radio, mono encoding :
- <span class="hilight">--abr 80</span> (stereo) or <span class="hilight">--abr 56 -m m</span> (mono)
- <p>
- For very low bitrates, up to 100kbps, ABR is most often the best solution.
- --preset voice is only available in the command line front-end, and
- is there for compatibility. It is currently mapped to --abr 56 -mm,
- so that means that the recommendation would be to encode in mono,
- and use ABR.
- </p>
- </li>
- </ul>
- <div id="notes">
- <ol>
- <li><a name="note1"></a>
- <table cellpadding="5">
- <tr><th>Codec</th>
- <th>sample frequencies (kHz)</th>
- <th>bitrates (kbps)</th></tr>
- <tr><td>MPEG-1 layer III </td> <td>32, 44.1, 48</td>
- <td>32 40 48 56 64 80 96 112 128 160 192 224 256 320</td></tr>
- <tr><td>MPEG-2 layer III</td><td> 16, 22.05, 24</td>
- <td> 8 16 24 32 40 48 56 64 80 96 112 128 144 160</td></tr>
- <tr><td style="border-bottom:0px;">MPEG-2.5 layer III</td><td style="border-bottom:0px;"> 8, 11.025, 12</td>
- <td style="border-bottom:0px;">8 16 24 32 40 48 56 64</td></tr>
- </table>
- </li>
- <li><a name="note2"></a>Lossy codecs, like MP3, should not be used for archiving,
- since the nature of lossy encoding always changes the original sound, even if it
- sounds transparent. Use lossless codecs for this purpose.
- </li>
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